![]() ![]() We are going to move in close on Filbert before he reacts and then after his reaction fills the screen, we will “hard cut” back to a reveal shot of the source of his panic. In a cinematic scene we may stay within a common setting but the use of multiple shots or view points is useful in adding to the storytelling. To accentuate the surprise factor of this scene we have determined in the storyboards that animating the camera is appropriate at this time. The storyline calls for Filbert, the fish, to tread water briefly after he reaches mid-scene before he reacts to seeing the shark. ![]() In Part 4 we created the swimming cycle for our fish and we animated his swimming into the scene using a motion guide. In Part 3 we constructed the underwater environment for our demonstration scene. ![]()
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